Last edited by Dodal
Tuesday, October 13, 2020 | History

2 edition of Portia, the law and the tripartite structure of "The merchant of Venice". found in the catalog.

Portia, the law and the tripartite structure of "The merchant of Venice".

Alice N. Benston

Portia, the law and the tripartite structure of "The merchant of Venice".

by Alice N. Benston

  • 118 Want to read
  • 32 Currently reading

Published .
Written in English

    Subjects:
  • Shakespeare, William, -- 1564-1616.

  • Edition Notes

    In : Shakespeare quarterly. 1979. vol. 30, no. 3. pp.367-385. (Washington, D.C.).

    ID Numbers
    Open LibraryOL13815019M

    Portia in Shakespeare’s The Merchant of Venice remained true to her religion, and her father’s wishes throughout the play. Abigail, on the other hand, changed religions and disobeyed her father. However, the writers used these two women to make similar statements about religion. Portia represented the quintessential Christian. Merchant of Venice - Portia Outwits Shylock in Act IV Scene I "Portia: Have by some surgeon, Shylock, on your charge To stop his wound, lest he do bleed to death. Shylock: Is it nominated in the bond?" Act 4 Scene 1 lines This is the time that Portia traps Shylock into a corner and saves the life of Antonio at the same instance.

    Perhaps one of William Shakespeare’s most famous comedies, The Merchant of Venice presents the game of three caskets with the high stakes of marriage to the wealthy and beautiful Portia if you choose correctly, or a life of solitude should you fail. The character Bassanio takes on the precarious challenge and after choosing correctly, makes Author: Breanna Harris. In The Comedy of Errors and The Merchant of Venice, both Dukes hold complete control—or, at least, what they perceive to be complete control—over their respective regions. Shakespeare uses these two characters to show how “authority” is oftentimes an illusion, and that, ultimately, everyone, including the Dukes, are impotent to the : Booker Smith.

    Shakespeare's The Merchant of Venice, and Ben Jonson's, Volpone Both plays include a vast amount of law and are in many ways, indicative of legal procedures, statutes and precedents applicable to Early Modern England. The Theme Of Revenge In The Merchant Of Venice Words | 5 Pages. Revenge is the central theme of The Merchant of Venice as the plot is centred around the theme of revenge, vengefulness is one of the main character traits present in a sizable number of characters and the main moral message is that revenge is a poor choice.


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Portia, the law and the tripartite structure of "The merchant of Venice" by Alice N. Benston Download PDF EPUB FB2

Portia, the Law, And the Tripartite Structure Of The Merchant of Venice ALICE N. BENSTON AMONG THE PROBLEMS ONE FACES IN DEALING WITH The Merchant of Venice is the difficulty of sensing a whole, a harmony, in a play that seems to work so consistently with dichotomies.

Christian and Jew, mercy and law. Portia is a protagonist of William Shakespeare's The Merchant of Venice.A rich, beautiful, intelligent heiress of Belmont, she is bound by the lottery set forth in her father's will, which gives potential suitors the chance to choose among three caskets.

If he chooses the right casket, he wins Portia's hand in d by: William Shakespeare. Conflicts of Law and Equity in The Merchant of Venice William Carlos Williams once said that "Shakespeare is the greatest university of them all" (qtd.

in Kornstein xiii). This is especially true with respect to the law: a dedicated scholar can discover a wealth of information on legal issues in Shakespeare's works. Bentson, Alice N.

"Portia, the Law, and the Tripartite Structure of 'The Merchant of Venice'." Shakespeare Quarte No.3 (Summer ): Argues that Portia is the central character of the play, considering her the drama's protector of law in both the civil sphere of Venice and the natural sphere of Belmont, rather than the.

John D. Hurrell, “Love and Friendship in The Merchant of Venice”; Lawrence W. Hyman, “The Rival Lovers in The Merchant of Venice”; Walter F. Eggers, Jr., “Love and Likeness in The Merchant of Venice”; Alice N. Benston, “Portia, the Law, and the Tripartite Structure of The Merchant of Venice”; Cynthia Lewis, “Antonio and.

Portia, the wealthy heiress of Belmont in Shakespeare’s comedy The Merchant of Venice. In attempting to find a worthy Portia, she sets in motion the action of the play.

She is one of Shakespeare’s classic cross-dressing heroines, and, dressed as a male lawyer (a redundant phrase in Shakespeare’s. The Merchant of Venice: critical essays.

-"Style and assessment" / A.R. Humphreys --"'The merchant of Venice' and the pattern of romantic comedy" / R.F.

Hill --"Portia, the law, and the tripartite structure of The merchant of Venice" / Alice N. Benston --"The counterfeit order the law, and the tripartite structure of The merchant of. Elizabethan conceptions of ideal justice politicize their representations in order to justify the prevailing monarchy.

Spenser and Shakespeare offer their own version of the nature of justice through female characters, Mercilla in Book V of The. Linciano, Roberta, 'Is that the Law?': Portia's Mockery of Justice in The Merchant of Venice (Decem ).

Italian Society for Law and Literature, January Author: Roberta Linciano. The NOOK Book (eBook) of the The Merchant of Venice: Critical Essays by Thomas Wheeler at Barnes & Noble. FREE Shipping on $35 or more.

Due to COVID, orders may be delayed. Thank you for your patience. Book Annex Membership Educators Gift Cards Stores & Events Help Auto Suggestions are available once you type at least 3 letters.

The Merchant of Venice and the Pattern of Romantic Comedy R. Hill 8. Portia, the Law, and the Tripartite Structure of The Merchant of Venice Alice N. Benston 9. The Counterfeit Order of The Merchant of Venice Leonard Tennenhouse Beginning in the Middle John Lyon Part 2: Shylock The Merchant of Venice William Hazlitt Shylock E.

Love, Necessity and Law in The Merchant of Venice. Adam Seligman Boston University. Introduction. Within much of the mainstream of the West-Asian civilizations (our own), the difference between Law and Love has been one of the constitutive boundaries of our theological, political, social and communal identities.

It has informed our vision of both perfect order and of. Originally published in Essays here are arranged chronologically within sections: ‘The Play as Text’, ‘Shylock’ and ‘The Play in the Theatre.’ Collecting previously published important commentaries and scholarly articles, this volume in the Shakespearean Criticism set looks at one.

Get an answer for 'Describe the character and role of Portia in The Merchant Of Venice.' and find homework help for other The Merchant of Venice questions at eNotes. The entire ring plot is Portia's idea, and she and Nerissa relish the prospect of the jest at their husbands' expense.

Bassanio swears over and over that he never gave his ring away to another woman (and he is more than a little embarrassed to admit that he gave it to another man), but with a fine sense of comedy, Portia plays the role of the.

This article is within the scope of WikiProject Women's History, a collaborative effort to improve the coverage of Women's history and related articles on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks. C This article has been rated as C-Class on the project's quality scale.

Historie of the Merchant of Venice. With the extreame crueltie of Shylocke the Jewe towards the sayd Merchant, in cutting a just pound of his flesh; and the obtaining of Portia by the choice of 3 chests. As it hath been divers times acted by the Lord Chamberlaine his servants.

Written by William Shakespeare. Get this from a library. The merchant of Venice: critical essays. [Thomas Wheeler;] -- Originally published in Essays here are arranged chronologically within sections: 'The Play as Text', 'Shylock' and 'The Play in the Theatre.' Collecting previously published important.

of Portia is likened to Jason's voyage, thus endowing it with a mythical di-mension,4 and Portia's father's will, through the mottoes, criticizes rather than endorses commercial values-what is important is the structure of exchange itself which characterizes both the economic transactions of Venice and the love relationships forged at Belmont.

The Merchant of Venice and top-rated free essay The Merchant of Venice and Portia. By peaceful His insistence on the letter of the law leads to his own downfall, for he cannot claim his pound of flesh without violating the law himself.

"The Merchant of Venice and Portia" 10 10. Portia was there to defend Antonio against Shylock 's claim to a pound of his flesh for forfeiting on a bond which he had signed as a guarantee for the repayment of a loan in the amount of three.Portia is the romantic heroine of The Merchant of Venice, William Shakespeare's tragicomedy.

As The Merchant of Venice opens, Portia's father has passed away, leaving her with a .Portia is the heroine of the piece when all the men in the play have failed, financially, by the law, and by their own vengeful behavior.

She swoops in and saves everyone from themselves. However, she is only able to do this by dressing up as a : Lee Jamieson.